Kim Fay

author of The Map of Lost Memories


The Map of Lost Memories
Communion: A Culinary Journey Through Vietnam
To Asia With Love
Guidebook Series
We Are Family

About the Author

Kim Fay is the author of the historical novel, The Map of Lost Memories, a 2013 Edgar Award finalist for Best First Novel by an American Author, and the food memoir Communion: A Culinary Journey Through Vietnam, a Gourmand World Cookbook Award winner. She is also the creator/​series editor of the "To Asia With Love" guidebooks and has contributed to the The Mystery Writers of America Cookbook and Sisters in Crime’s Writes of Passage. She was born in Seattle and spent her childhood reading Nancy Drew throughout the small towns of Washington State. After working as an independent bookseller at the Elliott Bay Book Company, she moved to Vietnam in the mid-1990s. She fell in love with the country and lived in Saigon for four years, and she has been traveling regularly to Southeast Asia for more than twenty. She currently resides in Los Angeles where she is working on a novel about Vietnam in the 1950s, as well as a mystery series set in L.A. in the 1970s. She is represented by Alexandra Machinist at ICM.

Professional affiliations:
- Authors Guild
- Sisters in Crime National & Sisters in Crime LA
- Mystery Writers of America & Mystery Writers of America Southern California
- International Thriller Writers

At The Pavilion Hotel in Phnom Penh,
researching The Map of Lost Memories


When I was a child, my grandfather would stay with my family for weeks at a time, and at night he would sit on the side of my bed and tell my sister and me stories about his life as a sailor in Southeast Asia in the 1930s. He loved the Orient, as he called it, and together we would pore over his photos from that time, most of which were of Shanghai and showed an exotic world of rickshaws and sampans against a backdrop of majestic European buildings.

As I grew up, my fascination with Asia simmered within me until I graduated from college and made my first trip. The sodden heat, the smell of incense and jasmine down hidden lanes, and the magical combination of foreignness and familiarity from the stories I had been raised on --- I was smitten.

I continued to return until, in 1995, I moved to Vietnam. It was there that I read about Andre and Clara Malraux, a French couple who looted a Cambodian temple in the 1920s. With that, the first glimmer of my novel appeared.

For the next four years, while I was living in Ho Chi Minh City (formerly Saigon), surrounded by the remnants of French colonialism, I could not stop thinking about the Westerners who came to Asia to claim a piece of it for themselves. It was from those people that the characters for my novel were born, and I would spend hours walking the city with them, living more in their world than in my own. A lost world --- an empire on the verge of its waning days.

I researched every bit of information available on the history of illicit art collecting at the beginning of the twentieth century. I traveled to Shanghai to trace the stories my grandfather once told me, and to understand the oftentimes unbelievable era that had made the Whore of the Orient the most famous city in the world.

Then, I went to Angkor Wat. I had read so much about this temple and thought about it for such a long time, and still its grandeur stunned me. It is the largest temple in the world, and it is a masterpiece whose elegance is made even more significant in light of the poverty and sorrow has overtaken Cambodia today. I was overwhelmed by the vision of what it must have been like for my characters to encounter something so marvelous at a time when a sense of entitlement and lack of laws made it possible to believe it was acceptable to possess a piece of it.

As my characters developed and my story unfolded, I made further trips to Cambodia to explore the temples and jungle, culminating in a journey into the northeast where my novel ends. In that area, the modern day scarcely exists. I spent hours alone cycling along the Mekong River, living out the book’s final pages --- something that felt perfectly natural since I had felt from the first day I started The Map of Lost Memories that it was not only my characters’ story, but also my own.

On the Mekong River in northeast Cambodia,
researching The Map of Lost Memories
Author photo: Julie Fay Ashborn